State Care and Its Dynamics

Background

Society prefers "clean" victims who recover with gratitude. I am not that. I live in a fractured timeline where past and present collide. The state uses DARVO tactics* to hide its cowardice, fearing the damage it deliberately created. This is not a story of recovery; it is a testament to a life permanently altered by institutional betrayal**. 

State Care and Its Dynamics

Random photographs and artwork are brought together under the title State Care and Its Dynamics show a mix of memories, realities and different  realities.  Through these works, visitors glimpse the dynamics of life within the system and its lifelong complex aftermath. Photographs alternate and  underline the  reality of the artwork.

Click to enlarge

Blueprint in the baby ward  (Helper Haven, Groningen 1964-1965) 

My home (1965)

pastel drawing from memory created in 1996

Self portrait 

Acrylic on paper 1992

(my first drawing ever)

 

At  kindergarten

Original photography  1967

 

The opposite gender of man was never woman

Composed objects 2016

My name isn't Jimmy, I am Jimmy

Self -portrait

pastel and mixed media 2004

Trigger

mixed pastel images 1997 / 2022

Mama and papa 

43 x 56 cm Pastel on paper 2023

Jimmy and his mother 

photography 1989

Helper Haven Groningen-  Mother group 1965  

pastel 1997

Most precious child

pastel 1996

Tim and Alex with their baby

Photography 2025

Humane life

Photography 2023

Actually , yes, a group of toddlers and one boy

mixed photography 2024

The beginning of tragic stories

Watercolor 2021

 Identity Destruction 

Mixed digital  media with  photography 1968,  Jim Altanioxi 2014

Tim, learning Arabic language 

Photography 2022

Just press the button, it's only a li(f)e (1988)

pastel 2020

Boy-man

[age- dysphoria]

Identity mix of selfie (52 years old) and pastel drawing of a 10 year old boy 2022

Suicidal boy (7)

Original photography 1969

Never alone

Photography 2022

Identity restoration studio

2021-2023

Institutional  Blueprint  (Helper Haven, Groningen 1965) 

Mixed photography  and pastel 1965/ 2024

Plural identity, installation

BFF#13  Bonnefantenmuseum Maastricht  2022

Stop 50 percent of all invisible violence

Adapted photography from poster UN,  2024

In 2024 it appeared the foster mother,  who severely abused three foster children, which was well-known by the youth care organizations,  was honored i 1995 with the State Golden Medal in the Order of Orange- Nassau. 

Frozen time

Mixed media photography (composition with oil painting/pencil drawing) 2016

Happy later life

Photography 2023

Complicated structures  study

Model on paper  Photography 2015

In the Fantastike studio Maastricht

2022

 Prisoner of the Past

Pastel 2022

Hidden selves

Processed photography 2022

One week before they kept me as their 'animal'

Photography 1979

Equal identities: Tim, Jimmy and Alex

Photography 2025

Gender instruction  (for the boygender)

photography 2025

State -Imposed -Caterpillar -Sexuality

Collage 2023

Drawing in nature (water coloring at the Meuse river)

Photography 2024

Brian brings the epilator

Photography 2023

Thank you for playing with me,  Mowgli

Photography 2023

 Gender dysphoria XL: female for the boy- child

pastel 2023

Hidden desire

pastel and original Roman mosaic (200AD)  2024

Art academy Tongeren


Dissociative Life Movie

Composed images 2020

Acces interdit (sauf la nuit)

Photography 2025

Creativity = therapy

Equal love

The destiny of a 'boy named Hue'  

sketching  2021

Thanks for all  you did 

The death and lost of Jimmy (l)  and  Sterry (r) 

(twin co- identities 1994-2025)

processed photograph 2025

Victory...

Finally, I am two boys

(but I never know which one is me)

Composed processed  photography 2024

63 x 40 cm

It's all about the heart

pastel 2024     50 x 65 cm

* DARVO: Deny, Attack, and Reverse Victim and Offender. 

The system uses this DARVO technique to gaslight victims and avoid responsibility. The government denies, attacks the person on his/ her problems from youth care (like attachment problems)  and turns the roles around:  he/ she is "the problem". In this way, Dutch youth care does not have to adhere to Art. 3 ECHR: after crimes by the state, the victim is guilty because of the consequences of their acts.

**The government embraces one victim with  support and empathy (i.e victims of sexual abuse)  and destroys the other (like victims from their own state care) with hostility. This  is one of the most horrible forms of injustice. In trauma psychology this phenomenon is  called institutional betrayal.